http://operawire.com  
 2017
"As the Queen of the Night, Camille Chapron showed off an impressive high register. Chapron’s voice may not have been the biggest in the hall but she still pulled off the virtuosic music with ease. During her first aria “O Zittre Nicht,” she melted into the melodic line, shaping each phrase with ease and creating a portrait of a sympathetic character. It was a lament for losing her daughter and one that could easily express this queen as a good character. During the second portion, where Mozart asks the soprano to dispatch instrumental coloratura, Chapron  triumphantly landed on her High F, making for a rousing climax.  The second act aria “Der Holler rache” was sung with authority and clarity. Each F was hit with intensity and accuracy and the coloratura was tremendously calculated in its execution. One thing that was interesting about the end of Chapron’s Queen of the Night was that unlike most, she was forgiven at the end, giving her a happier ending."